Saturday, May 11, 2019
Sunday, February 3, 2019
Quick upload of photos of recent works (2018-2019) added to my catalog.
St. Nunzio Sulprizio
T.Nelson 2019
B. Miguel Pro
T.Nelson 2018
V. Maria Agreda
T.Nelson 2019
S. Aloyisius
T.Nelson 2018
Shrine exterior
Wood and rawhide
T.Nelson 2018
Shrine interior NS Conquistadora
Wood and rawhide, brass trim.
T.Nelson 2018
S. Therese of Lisieux
Panel figure.
T.Nelson 2018
St. Michael after Fra Angelico
T.Nelson 2018
Virgen de la Luz
T.Nelson 2018
S. Sebastian
T.Nelson 2018
Escudo De Moneja Immaculata with saints.
Acrylic on copper in antique frame.
T.Nelson 2018
S. Francis at Greccio
T.Nelson 2017
Sunday, April 16, 2017
Something I made over Lent.
The Annunciation in antique tabernacle frame.
30" x 30 overall.
Acrylic and gold on panel.
Terry Nelson
2017
An idea of the scale of the 'shrine'.
30"x30"x4"
The tabernacle frame is solid oak, a 19th century antique/relic
from an unknown Greek Catholic church.
It was part of communion rail gate.
It is finished in faux travertine with gold details and marbled columns.
The insets are decorated laca povera style with printed
Fra Angelico scenes from the life of the Virgin,
and then antiqued.
Starting the icon on red gesso panel.
The first leaf applied to the nimbus.
The completed icon with 24k gold leaf.
The full scene measures 26"x 21" on panel.
Details in the center of the scene suggest the
Church of the Annunciation in Minneapolis,
with a small mandorla of the Visitation
on the furthest architectural element,
meant to suggest the merged
parish of the Church of The Visitation,
as well as to suggest the parish school.
These details are partially obscured
by the central column of the tabernacle frame,
but can be viewed at an angle.
The background is not intended to dominate the scene.
Thursday, January 5, 2017
Newly discovered works ...
Blessed Alberto Marvelli
2009
T. Nelson
Colored pencil on paper.
Our Lady of the Burning Bush
2016
T. Nelson
2.5"x7.5" acrylic on wood.
OL of the Burning Bush, Sinai (detail)
The Holy Virgin panel was prepared and gilded over 20 years ago. I misplaced it and was happy to discover the ground I used seeped through the real gold leaf I used to create the patina you see. The image had already been inscribed in the traditional manner and so all I did was paint the Madonna in the Sinai style.
Wednesday, January 4, 2017
Wednesday, December 28, 2016
Saturday, October 29, 2016
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